Dr. John Vilanova is a researcher, writer and teacher focusing on the media industries, power and inequality.
He is an assistant professor of Journalism & Communication and Africana Studies at Lehigh University. His major work concerns the GRAMMY Awards and the influence of race and culture on ideas of what “great” music sounds like; generally, he works to advocate for racial responsibility in journalistic and scholarly practice. His vocation is liberation; he works to upend systemic and structural inequalities, with an intersectional emphasis on the work anti-Black racism does to our institutions. #BlackLivesMatter
Published Writing & Coverage
This article published in the peer-reviewed journal Media Industries looks at the culture and materiality of reggae music in Tokyo and historicizes and contextualizes the relationship between Japan and Jamaica.
A new article of peer-reviewed research published in the International Journal of Cultural Studies, on the tactics and mediation of white-presenting protesters in Portland, Oregon, during the 2020 Black Lives Matter uprisings.
The Philadelphia Inquirer’s Cassie Owens authored an in-depth look at my research in early 2020. This is an outline of the GRAMMYs book project.
In the wake of Adele’s three head-to-head wins against Beyoncé in 2017, I argued for a racial glass ceiling.
The piece that started it all—I ran the numbers after Taylor Swift defeated Kendrick Lamar in 2016.
This is a peer-reviewed journal article on creative industries workers in Kingston, Jamaica, and the Reggae Revival. Together they seek a decolonized music industry.
This piece critiques a Pepsi advertisement for its racial insensitivity and its use of protest to sell soda.
Sometimes Black artists do win against white artists in the GRAMMY General Field. I explored the conditions necessary for that to happen.
On one of the best films of the century, a celebration of Black music, culture, institutions and people woven through the #Beychella performance.
This was my attempt at a methodological provocation for MusiQology, in which I talked about interviewing and why cultural studies scholars need to do it more.